The Disturbing Relevance of World War I

Joachim Gauck, the 11th president of the Federal Republic of Germany, executes his duties in a palace built for the Hohenzollern dynasty. But almost all memories of Prussian glory have been eliminated from Bellevue Palace in Berlin, where there is no pomp and there are no uniforms and few flags. The second door on the left in the entrance hall leads into a parlor where Gauck receives visitors.

In the so-called official room, there are busts of poet Heinrich von Kleist and Social Democrat Friedrich Ebert, the first German president after Kaiser Wilhelm II fled the country into exile, on a shelf behind the desk. There are two paintings on the wall: an Italian landscape by a German painter, and a view of Dresden by Canaletto, the Italian painter.

Gauck likes the symbolism. Nations and their people often view both the world and the past from different perspectives. The president says that he doesn't find this disconcerting, because he is aware of the reasons. In 2014, the year of the 100th anniversary of the outbreak of World War I, the eyes of the world will be focused on Germany's head of state. It will be the biggest historical event to date in the 21st century.

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