It is a spring night in rural Texas, and crickets sing as a woman in her 60s with broad shoulders and short brown hair stops a pregnant young woman on an empty sidewalk. The older woman has heard that the younger woman, her neighbor Lucy Mae, may be seeking an abortion. “You don't have to do this,” she says, her brown eyes and long loose cheeks filling with emotion. “Children are a miracle—a gift from God!”
The women are performing a scene in Doonby, a movie about a drifter who awakens a sleepy Texas town to its spiritual possibilities. The movie, tentatively set to be released this year, is directed by Peter Mackenzie, a Catholic filmmaker from Britain. It stars John Schneider, best known for The Dukes of Hazzard, who is a born-again Christian.
The older woman is born-again, too. Her name is Norma McCorvey. She is not a professional actress. But back when Nixon was president, McCorvey landed the role of a lifetime: that of “Jane Roe,” the plaintiff in what would become one of the most divisive legal actions in American history.
Forty years ago, on January 22, 1973, the United States Supreme Court ruled in Roe v. Wade that women had the right to an abortion “free of interference by the State,” as Justice Harry A. Blackmun wrote in the Court's majority opinion. The decision greatly expanded the legal boundaries for abortion in the United States, allowing women to terminate a pregnancy at any point during the first 24 weeks—that is, through the first and second trimesters. (Roe did, however, permit states to impose regulations in the second trimester, including who could perform abortions and where. It also gave states the right to ban most abortions in the third trimester.)
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