Norman Mailer's 'Superman Comes to the Supermarket'

For once let us try to think about a political convention without losing ourselves in housing projects of fact and issue. Politics has its virtues, all too many of them—it would not rank with baseball as a topic of conversation if it did not satisfy a great many things—but one can suspect that its secret appeal is close to nicotine. Smoking cigarettes insulates one from one's life, one does not feel as much, often happily so, and politics quarantines one from history; most of the people who nourish themselves in the political life are in the game not to make history but to be diverted from the history which is being made.

If that Democratic Convention which has now receded behind the brow of the summer of 1960 is only half-remembered in the excitements of moving toward the election, it may be exactly the time to consider it again, because the mountain of facts which concealed its features last July has been blown away in the winds of High Television, and the man-in-the-street (that peculiar political term which refers to the quixotic voter who will pull the lever for some reason so salient as: "I had a brown-nose lieutenant once with Nixon's looks," or "that Kennedy must have false teeth"), the not so easily estimated man-in-the-street has forgotten most of what happened and could no more tell you who Kennedy was fighting against than you or I could place a bet on who was leading the American League in batting during the month of June.

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