ctober 1945. As the Detroit Tigers and Chicago Cubs faced off in the World Series, photographer Maurice Terrell arrived at an almost deserted minor-league park in San Diego, California, to carry out a top-secret assignment: to surreptitiously photograph three black baseball players.
Terrell shot hundreds of motion-picture frames of Jackie Robinson and the two other players. A few photos appeared in print but the existence of the additional images remained unknown for four decades. In April 1987, as Major League Baseball prepared a lavish commemoration of the fortieth anniversary of Robinson’s debut, I unearthed a body of contact sheets and unprocessed film from a previously unopened carton donated in 1954 by Look magazine to the Baseball Hall of Fame in Cooperstown, New York. This discovery triggered an investigation which led to startling revelations regarding Branch Rickey, the president of the Brooklyn Dodgers, and his signing of Jackie Robinson to shatter baseball’s longstanding color line; the relationship between these two historic figures; and the stubbornly controversial issue of black managers in baseball.
